#Sources freespace streetjournal free#
“Ours was to make it about the overlap between architecture, landscape, and infrastructure.” There’s a lot of freedom in “Freespace”, but that appears to be the point, giving architects an opportunity to establish their own free spaces within the exhibition, and to imagine new ones for the world at large. “I think everybody has a different interpretation,” Weiss says, speaking about this year’s broad curatorial mandate. The other projects on view-ranging from Jørn Utzon’s Sydney Opera House to Antoni Gaudí’s Park Güell in Barcelona-don’t set up direct didactic relationships to the firm’s work, but simply suggest potential parallels, weaving a subtle narrative about public space in the fast-changing urban environment. Singh Center for Nanotechnology at the University of Pennsylvania.
The models have a “dollhouse effect,” Manfredi says, attracting passersby and drawing them into the center of the space, where a video displays cinematic encounters with recent projects from the duo’s Cooper Hewitt National Design Award-winning practice, like the visitor’s center for the Brooklyn Botanic Garden and Krishna P. Their display at the show consists of two wooden semi-ovals, creating a sheltering forum-like space in the middle, and fitted with shelves bearing remarkably delicate and detailed models of their buildings as well as historical buildings that have inspired them. “The curators have been really committed to this idea of trying to make the generosity of architecture measurable.” Abstract as that objective might sound, Weiss/Manfredi found at least one way to realize it. They gave a quick primer on the idea behind the show as a whole: “It’s studiously open-ended,” Weiss says. Marion Weiss, FAIA, and Michael Manfredi, FAIA, of New York firm Weiss/Manfredi Architecture/Landscape/Urbanism are among the exhibitors appearing in the main “Freespace” exhibition at the Arsenale, Venice’s cavernous former ship-building facility. That may be doubly true this year, as Ireland-based curators Grafton Architects kick off “Freespace”: the organizing theme for the Biennale’s sixteenth edition is enticingly nebulous, and the show catalogue promises an unusually diverse assortment of offerings from an unusually broad wedge of the architecture world.Īmong so much unfamiliarity, it was nice to see a couple of familiar faces-and, as it turned out, it was a perfect way to get one’s bearings. What with so many people, so many practices, and so much happening seemingly everywhere at every hour, any visit to the Venice Architecture Biennale can quickly become an experience in wall-to-wall bewilderment. Thus far at least, Allbirds squishy, eco-conscious sneakers represent a rare Silicon Valley success story in the clothing industry.Courtesy Weiss/Manfredi Architecture/Landscape/Urbanism Though Allbirds has been profitable since launch, the Bay Area has seen plenty of companies who set out with high-minded plans to make a better widget, only to wind up bankrupt in short order. Many of them will join over a million others who’ve bought Allbirds in the San Francisco-based brand’s first two years in business. That white sole is covered in gray finger smudges from the shoppers who pass through the store each day.
Yet, while that shoe’s upper is made from a synthetic material, the sneaker in my hand is knit from merino wool, making it resemble a winter sock affixed to a white rubber sole, with prominent laces as thick as bucatini. Gigahertz free-space electro-optic modulators based on Mie resonances. Elder, Dmitry Kazakov, Amirhassan Shams-Ansari, Larry R. While waiting, I fondle a display shoe that looks like a pared-down version of an Adidas Yeezy Boost 350. Ileana-Cristina Benea-Chelmus, Sydney Mason, Maryna L.
I have to ask a harried sales associate twice to get the $95 Wool Runner sneakers in my size. It’s a random Saturday in May, and I can barely find enough free space inside Allbirds’s Soho store to try on a pair of what the brand proclaims the “world’s most comfortable shoes.” I’ve been on rush-hour subway cars filled with fewer people.
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